Die Ölgemälde alles Otto Scholderer


Choice ID Image  Painting (From A to Z)       Details 
92063 Der Geiger am Fenster  Der Geiger am Fenster   1861(1861) Medium oil on canvas Dimensions 150 X 103 cm (59.1 X 40.6 in) cyf
83894 Grobes Stilleben mit junger Frau  Grobes Stilleben mit junger Frau   Medium Oil on canvas Dimensions 88 x 128.3 cm (34.6 x 50.5 in) cjr
87786 Grobes Stilleben mit junger Frau  Grobes Stilleben mit junger Frau   Oil on canvas Dimensions 88 x 128.3 cm (34.6 x 50.5 in) cyf
88865 Lesendes Madchen auf einer Wiese  Lesendes Madchen auf einer Wiese   Oil on cardboard Dimensions 30.4 x 23.1 cm (12 x 9.1 in) cyf
97488 Luise Scholderer auf der Ottomane  Luise Scholderer auf der Ottomane   1873(1873) Medium oil on canvas Dimensions 69 X 82 cm cyf
87469 Selbstbildnis mit Malutensilien  Selbstbildnis mit Malutensilien   Date 1861/62 Medium Oil on canvas Dimensions 34.4 x 25 cm (13.5 x 9.8 in) cjr
92240 Selbstbildnis mit Malutensilien  Selbstbildnis mit Malutensilien   1861/62 Medium oil on canvas Dimensions 34.4 X 25 cm (13.5 X 9.8 in) cyf
97930 Self portrait  Self portrait   1875/76 Medium oil on canvas Dimensions 96.5 x 76.5 cm cyf
91408 Self-portrait  Self-portrait   1875/76 Medium oil on canvas Dimensions 96.5 x 76.5 cm (38 x 30.1 in) cyf
90487 Stilleben mit Apfeln und Messingeimer  Stilleben mit Apfeln und Messingeimer   oil on canvas Dimensions 33 x 58 cm (13 x 22.8 in) cyf
87102 Stilleben mit Birnen und Trauben in Kupferschale  Stilleben mit Birnen und Trauben in Kupferschale   Medium Oil on canvas cyf
81787 Stilleben mit Trauben auf einer Porzellanschale, zwei Pfirsichen und gefulltem Sherryglas  Stilleben mit Trauben auf einer Porzellanschale, zwei Pfirsichen und gefulltem Sherryglas   Medium Oil on canvas Dimensions 33 x 59 cm (13 x 23.2 in) cjr
82542 Stilleben mit Weintrauben und Birnen  Stilleben mit Weintrauben und Birnen   Date 1898(1898) Medium Oil on canvas Dimensions 26 x 45 cm (10.2 x 17.7 in) cjr
86026 Stilleben mit Weintrauben und Birnen  Stilleben mit Weintrauben und Birnen   1898(1898) Medium Oil on canvas Dimensions 26 x 45 cm (10.2 x 17.7 in) cyf
86028 Trauben und einer Kupferschale  Trauben und einer Kupferschale   Oil on canvas Dimensions 36 x 43 cm (14.2 x 16.9 in) cyf
90877 Tulpen in hohem Glas  Tulpen in hohem Glas   oil on pappe Dimensions 41.3 x 30 cm (16.3 x 11.8 in) cyf

Otto Scholderer
(25 January 1834 - 22 January 1902) was a German painter. He was born in Frankfurt am Main. On completing his schooling, Scholderer went to the Städel academy of arts in 1849, where he remained until 1851. Among his teachers were the art historian Johann David Passavant and the painter Jakob Becker. Subsequently, Scholderer established himself in Städel as a freelance painter. During this period his friendship with Victor Meller began; Scholderer became his brother-in-law in 1868. Through Meller, Scholderer became acquainted with the works of Gustave Courbet. Scholderer made several short study trips to Paris between 1857 and 1858, where he became friends with Henri Fantin-Latour and Édouard Manet, whose influence can be seen in his subsequent work. Fantin-Latour depicted Scholderer in his picture Studio aux Batignolles . Starting from 1858, Scholderer worked and lived predominantly in Kronberg in Taunus, where his colleagues included Anton Burger, Peter Burnitz and Louis Eysen; he was close to the Kronberger painter colony. In 1866, Scholderer established himself in Desseldorf and made friends with Hans Thoma. With Thoma, Scholderer went in 1868 to Paris and returned to Germany only shortly before the outbreak of the French-German War. First Scholderer established himself in Munich, renewing his friendship with Wilhelm Leibl and becoming one of the artists of the Leibl-Kreis (Leibl circle). At the beginning of 1871 he went to London and worked there till the autumn of 1899. After 1899, Scholderer returned to his hometown of Frankfurt, where he died at the age of almost 68 years on 22 January 1902. Otto Scholderer's art, initially dominated by landscapes, later consisted primarily of portraits and still lifes. The important connection between the romantic period and the Impressionists is evident in his work.



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